Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.  Related Paintings of Caravaggio :. | The Martyrdom of St Matthew (detail) ff | Bacchus | the head of medusa | St. Francis in Ecstasy (detail) f | The Sacrifice of Isaac dfg |
Related Artists:
Gavin Hamilton
Scottish Neoclassical Painter, 1723-1798,Scottish painter, archaeologist and dealer, active in Italy. He was educated at Glasgow University and in 1748 arrived in Rome to study portrait painting under Agostino Masucci. He lodged with the architects James Stuart and Nicholas Revett; they probably encouraged him to visit Herculaneum and the recently discovered archaeological site of Pompeii, which had a profound effect on his subsequent career. Convinced that 'the ancients have surpassed the moderns, both in painting and sculpture', Hamilton undertook a systematic study of Classical antiquities during the 1750s and 1760s. In 1751 he was briefly in Scotland, where he painted a full-length portrait of Elizabeth Gunning, Duchess of Hamilton (Lennoxlove, Lothian), in a conventional style derived from van Dyck. He returned to Rome in 1752 and remained there, with the exception of short visits to England, for the rest of his life. In 1755 he was introduced by Anton Raphael Mengs to Johann Joachim Winckelmann, who was to become one of the leading theorists of Neo-classicism. In the same year Hamilton entertained Robert Adam, who studied in Rome from 1755 to 1757. He was to know and encourage almost all the British artists who worked in Rome during the second half of the 18th century. Henry Fuseli, who was not an uncritical admirer, wrote of Hamilton in 1805,
Musscher, Michiel van
Dutch, 1645-1705 Dutch painter and printmaker. According to Houbraken, van Musscher received his eclectic artistic training in Amsterdam, studying first with the history painter Martinus Zaagmolen (c. 1620-69) in 1660, then with Abraham van den Tempel in 1661, followed by lessons with Gabriel Metsu in 1665. He completed his studies in 1667 in the studio of Adriaen van Ostade. The following year van Musscher returned briefly to Rotterdam before settling permanently in Amsterdam.
Pierre-Denis Martin
(b. ca. Paris 1663-d. Paris 1742) was a French painter, best known for his paintings of royal residences. He was also known as "Martin le Jeune" ("Martin the Young") or as "Martin des Gobelins" (because he was employed at the Gobelins Manufactory).